TM

TMD! 2008 CONTESTANT NEWS

FELIX THE FLYER - Christopher Canole

    Actually big news. I was just initiated into WGA due to my contest wins like yours.
Since your contest Felix the Flyer won Best Screenplay at the British Film Festival Los Angeles and received Honorable Mention at the Mexico International Film Festival. Both Felix the Flyer and Her Swastika Sword are two of the top five finalist at the Prince Edward Island Film Festival. And my short script Barack-O-Lantern won the Cinema City International Film Festival and International Family Film Festival as well as being recommended by Kids First.

THE DISAPPEARING TRICK - Howard Rayner
Since placing in The Movie Deal! Screenplay Contest, I’ve had two scripts picked up to be filmed this year – one of those producers fast-tracked my script to the top of their ‘read’ list on the strength of my placing in your competition!  

TOO FAT TO FLY SOUTH - Allan Amenta
Won First-Place in the animation/fantasy category of The Movie Deal Screenplay Contest, was also a Semifinalist in the GIAA Filmfest. My short script, A BEEPER FOR HENRY DAVID, was recently purchased by Doukas Films of Athens, Greece.

SUMMER WITH MAX - Steve Matoren
Since The Movie Deal! I entered Summer With Max in the Scriptapalooza TV Pilot contest in 2008 and actually placed 2nd overall

STRAY - Nena Eskridge
I am happy to say that producer Chase Bailey (The Libertine) has joined me in an effort to raise financing for Stray. We'll begin casting as soon as we find that first investor.

THE PHOENIX EFFECT - Margaret M. MacDonald
Since being part of The Movie Deal 2008, my script The Phoenix Effect has placed as a finalist in an additional 3 contests including The Great American Screenplay Competition 2008 (part of ACE Fest 2008), The Paranoia Horror and Sci-Fi Convention and Film Festival, and The Beverly Hills Film Festival. I put more information about the screenplay on my website, www.immmagination.com.

SANDI CLAUS & MIDNIGHT PRINCESS - Lee Tidball
I also had two other scripts in TMD 2008 which did well; SANDI CLAUS (top ten in Fantasy/Animation) and MIDNIGHT PRINCESS, my first-ever TV pilot, both just made the quarterfinal cut in the PAGE International Screenwriting Awards, which is probably the biggest contest in Hollywood these days outside the Nicholl with nearly 4400 total entries. The quarterfinal cut is the top 10%. SANDI competes in the Family category, MIDNIGHT PRINCESS in the TV Drama category.

THE GOOD-HEARTED BURGLAR - William Cooper
The Good-Hearted Burglar advances in its 2nd screenwriting competition. Receiving the prestigious ranking of: Top Ten Action Feature, with The Movie Deal in 2008, now, most recently, judged to advance as a First Round Finalist in the ongoing screenwriter's competition, The Page Awards.

THE JOPPA FLAT - Rachel S. Thomas-Medwid
I've placed in a few contests since The Movie Deal!, two of which are still ongoing:
Finalist in the 2008 Screenplay Festival
Quarterfinalist in the 2009 BlueCat Screenplay (waiting to see if make the next round)
Second Round in the 2009 Page Awards (waiting)

CONFLICT OF INTEREST - Chaun J. Domingue
I enjoyed my experience with The Movie Deal! Screenplay Contest and I'm happy to report that I just gained representation from a management firm for a screenplay I wrote during The Movie Deal! Contest. I'm hoping to report more good news in the future and again thank you for furthering my career as a screenwriter.

FERGUS and VIOLA - Anna Condo
"Fergus and Viola" was one of the three finalist for BEST SHORT scripts at the European Independent Film Festival in Paris (March, 2009.)

FADING NUMBERS - Sean Ryan
Fading Numbers (the script that placed in Movie Deal 2008), I have since revised, focusing in tightening the script and enhancing the essence within every scene (thanks to The Movie Deal! training course prize), as well as reducing the over all budget to ensure it has a better chance of being optioned Fading Numbers is back in competition in the British Short screenplay contest (2009).

ONLY EAGLES KNOW MY NAME - Chrissy K. McVay
I have had director/producer sign on to 'Souls of the North Wind' since it's high placing in the 2008 The Movie Deal! contest. He is working on pitching the script and hoping to secure financing, etc. He shares my passion for Jack London style wilderness adventures and we're both hoping 'Souls' will be a movie soon. I also recently found out my script 'Adventures of Angus A. McDog' is currently a quarter finalist in the 2009 StoryPros awards. The Movie Deal! is a great contest and I hope to have a feature comedy/horror finished in time to enter in the next Movie Deal competition.

JOHNNY NOBEL: MOTORCYCLE REBEL - Matt DeCoster
Since The Movie Deal! my pilot script, "Johnny Nobel: Motorcycle Rebel" was named a finalist in the Slamdance Teleplay Writing contest. Top prize will be announced at the end of August.

HUNTER'S POINT - Luis Cruz
Apart from my script HUNTER'S POINT placing in the Movie Deal! Screenwriting Contest, which confirmed my gut feeling that i was beginning to catch my stride, i also wrote 3 produced MOWs for the Nasser Entertainment Group. The Movie Deal contest really gave me that boost of confidence that helped me keep on keeping on during those long lonely nights of revisions.

THE ORGAN GRINDER - Mike Davidson
Since my involvement in The Movie Deal! I won the BizOfScreenwriting.com contest. You can see more details at the site. It was a blast and very insightful going to Hollywood to meet with producers and hear what the industry is really like and what they're looking for in scripts.

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MovieBytes Interview:

Screenwriter Lee Tidball

An interview with screenwriter Lee Tidball regarding The Movie Deal! Writing Competition.

Q: What's the title of the script you entered in this contest, and what's it about?

A: PRINCESS REBORN is about GINAH, a wife, teacher, mother of two who is actually an alien princess and ex-superhero in hiding who's trying to enjoy a "normal" life after years of fighting crime in LA and wars against her father's enemies on a planet light-years away. She grew to hate her former life, and has kept it a secret from everybody, including her family.

But now her daughter LARI is manifesting weird superpowers of her own and wonders if they have anything to do with her mom's phantom past. But before the two can connect on this, an old alien nemesis from Ginah's past reappears on Earth, bent on revenge and world domination. He kidnaps Lari, sends Ginah's husband and young son over a cliff in their van, and moves on Washington DC to finish his well-planned coup. Ginah's the only one powerful enough to stop him--or at least, she was--but now is as rusty as an old gate and frantic with the apparent loss of her family.

The story then is about how Ginah must somehow regain her former prowess, and, with the help of Lari, her family, and various friends from her former life, defeat the evil megalomaniac and his henchmen and save the world. And of course, along the way, she rediscovers who she really is and her family learns valuable lessons about honesty, openness, and working together.

Q: What made you enter this particular contest? Have you entered any other contests with this script? If so, how did you do?

A: I entered The Movie Deal because it's a new contest and its judges are working professionals and not just "readers." Any time I can get my material before real, live producers, directors, actors, etc., it's more people who can actually make decisions reading my stuff, and that's invaluable exposure in itself, irregardless of the prizes that you might win. Also, The Movie Deal allows you to compete in genre categories, which I feel is a much more fair way to set up a contest and gives better and more specific exposure to the industry if you do well or win.

I've entered PR in lots of contests over the years, and it's done very well, been a Finalist or Top Ten in at least a half-dozen including PAGE International and BlueCat Screenwriting Lab. The Movie Deal, though, is its first win.

Q: Were you satisfied with the adminstration of the contest? Did they meet their deadlines? Did you receive all the awards that were promised?

A: This was a very well-run contest, especially for its first time. I can't remember all the published deadlines, but what I do remember is the constant communication I got from the contest people giving updates if or when anything new was going on. And when it came time to narrow down the 200 or so finalists to the winners, etc., that all happened right on the money. I was informed of my win by special email right on the promised deadline (early February, 2009), and had received all my prize package by mid-March, which, BTW, included a free WinningScriptsPro subscription which I have already taken advantage of :).

Q: Were you given any feedback on your script? If so, did you find the feedback helpful?

A: I think there was a feedback option offered for more entry fee money, but I didn't use it. PR has been around for a long time and I've gotten tons of feedback already.

Q: Has your success in this contest helped you market your script? Were you contacted by any agents, managers or producers?

A: So far, yes, but it hasn't been through the contest itself. They said they'd send out info on the script to their list of contacts, etc., but so far nothing from that.

But what I was also able to do as a result of this win was to put out a blurb on one of the filmmaker email networks that I'm a part of, and from that I got about ten requests for the script, which resulted in some new contacts, some very good feedback, and at least one option possibility so far. And there's other similar networks I'm hooked into that I haven't been able to "blurb" yet, so maybe there will be more. It also gives me something more to add to my pitch, which I'm hoping will work well for me when I head to pitch markets and such over the summer.

I also was offered (and did) an Internet interview with Hal Croasmun of ScriptforSale.com concerning my win, and that has also resulted in more exposure than I'd have had otherwise.

Q: What's your background? Have you written any other screenplays or television scripts?

A: I've written probably 7 or 8 feature scripts total, but have only polished PR and one other one (SANDI CLAUS, a family holiday fantasy--was also in The Movie Deal, made Top Ten in the Fantasy/Animation category) to the point where I feel good about marketing them and entering them widely in contests, etc. I've also self-published a graphic novel version of PR. The first part (of a three-part series) is currently out, having won Honorable Mention in Writers' Digest magazine's 15th Annual International Self-Published Book Awards (middle-grade/YA category) in 2007, and Chapter Two should come out sometime later in this spring or summer. I've also written two novels for the middle-grade audience, HIDDEN TALENTS Ginah's Journals, Journal #2 (upon which Princess Reborn and Midnight Princess are based) and WINDFORK SECRETS, an historical fantasy.

My "day job" is teaching 6th graders, and through it I not only get endless inspiration but also gain a unique perspective on what works and doesn't work in the whole family entertainment genre by being in such close and constant proximity to the actual audience. I can get genuine audience feedback literally any time I want!

Q: Do you live in Los Angeles? If not, do you have any plans to move there?

A: I live "upstate" from LA in Modesto (yup; same place Susan "Ginormica" Murphy of Monsters vs. Aliens is from--and George Lucas too) and would love to spend more time in LA, but it's hard with the teaching job. Once I retire from teaching, I'd like to spend a lot more time in LA to be able to market and network better, but I'm not sure at this time if I'd move there permanently or not.

Q: What's next? Are you working on a new script?

A: I've recently ventured into writing TV pilots (TV seems to be a much more open market these days...) and have one all set to go for this spring and summer after working on it since last summer. It's called MIDNIGHT PRINCESS and is based on the novel that I extrapolated Princess Reborn from, so the series would be, in essence, a prequel to the PR screenplay. I entered an earlier version of it (called HIDDEN TALENTS) in The Movie Deal also and it was given an Honorable Mention award

There's also the afore-mentioned graphic novel chapter coming out that I'll be marketing, and I've also been exploring new feature concepts, hoping to come up with something that's both fantastical, irresistible, and (unlike PR) cheap to make!

Posted Saturday, March 28, 2009

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